Pastrami Chile Verde Sandwich
Pastrami, Salsa de Tomatillo, Cheddar and Garlic Aioli
Pastrami, Salsa de Tomatillo, Cheddar and Garlic Aioli
It’s oddly comforting to come back to these fields after 20+ years. I hated them when our family were workers. Now they just represent my upbringing. Beyond that, I just see the towering giants that have always lived in our backyards as an intimidating talking point. The rest of us peasants saw them through the…
21 years. That’s how long it’s been since I was last a student here on this campus. I was a kid. A kid with a drinking problem, at that. I don’t remember a lot from my days here, but I do remember always feeling so small on campus. Like, physically small. The campus always felt…
Today’s office: Northgate, Sacramento, CA with Dalia modeling. We’re shooting a record tote for Radio Xicanisimo & Pressed Coffee Bar. Photos coming soon.
Today’s office: Downtown Visalia, CA with Elizabeth and Jarred. This is the first time I’ve ever done a maternity photoshoot and I was incredibly-honored that they trusted me with this. 🥹 Photos coming soon.
On behalf of everyone at Sound N Vision and Poolslutz, thank you to everyone who came to see Sheer Mag last night. Check out my photo gallery from the show last night here.
A while back, when we announced the Sheer Mag show, we also linked up with an all-she/they skate crew led by one of the smartest and hardest working young ladies I’ve ever met, Tae. The Poolslutz, as they go by, is comprised of 5 local rippers: Tae, Makena, Shayla, Jessica and the homie Zayda. After…
Today’s office: Downtown Visalia in an alley behind Arts Visalia shooting photos of my friends Mezcal. Shooting this band has been on my Visalia bucket list for a while now. Tonight I finally checked this off the list. Photos coming soon!
Today’s office: Ducor capturing drone images for Pistacia Global.
I shot a couple of exposures on TMAX100 film using the Mamiya the day we took photos of Mikala last week. I knew they’d turn out pretty blurry because there was a very limited amount of light we could count on and I was working with a film with abysmally-low ISO. There wasn’t a whole…